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From Farce to Tragedy: The New Crisis at Pacifica
Iain Boal
On September 17 the Governance Committee of the Pacifica National Board passed a resolution expressly designed to find out whether Amy Goodman’s Democracy Now! program is getting CIA funding through covert channels like the Ford Foundation for suppressing the “truth” about the 9/11 “cover-up.” The author of the resolution, Chris Condon, made it clear that he wrote a motion on funding disclosure specifically to find out "where the hell Amy Goodman's money is coming from."
Condon’s campaign for reelection to the KPFK Local Station Board in Los Angeles is endorsed by the current interim Executive Director of Pacifica and chair of the Pacifica National Board, Grace Aaron. Despite being thrown out of the Church of Scientology, Aaron still publicly identifies herself as “a follower of the teachings of L Ron Hubbard."
What on earth is going on here? Listeners to the largest independent radio network in the US, whose broadcast signals are powerful enough to reach a fifth of the entire population, are no strangers to faction fights among staff and local boards, especially at the largest stations, WBAI (New York), KPFA (Berkeley), and KPFK (Los Angeles). But veterans of the now legendary 1999 crisis could be forgiven for thinking that Pacifica had safely resumed its mission of promoting understanding between peoples and individuals through peaceable dialogue. Many will be dismayed to learn that Pacifica is once again on the edge of the abyss.
When They Kick Out Your Front Door, How You Gonna Come?
Tortuga Defense
On October 1st, 2009, at 6:00am, the Joint Terrorism Task Force (a union
of local police departments and the FBI), kicked out the front door to our
home—an anarchist collective house in Queens, NY, affectionately known as
Tortuga. The first crashes of the battering ram were quickly followed by
more upstairs, as the police broke in on 3 sleeping people, destroying
bedroom doors that were unlocked.
"Art in Russia Under Attack: Artists, Curators on Trial"
Konstantin Akinsha
With trials, harassment, and other forms of intimidation, Russian authorities are striking out against curators and artists—who are, in turn, organizing projects that are increasingly provocative and political.
During the Brezhnev years, when “unofficial” artists were under constant surveillance by “art critics wearing civilian clothes,” as the secret police were euphemistically called, Soviet intellectuals had a favorite joke: Bolshevik leader Lenin and Commissar of Enlightenment Lunacharsky pay a visit to an art exhibition in Moscow.
Lenin looks at a painting by Malevich and asks, “What is this? Squares? Triangles? What does it mean? I can’t understand this art.”
Lunacharsky replies, “To be honest, Vladimir Ilyich, I can’t understand it either.”
That was the last Soviet government that didn’t understand art, goes the ironic punch line. Ironic because every Soviet government understood art very well: they understood that it had to be tightly controlled.
From Barthes to Foucault and Beyond – Cycling in the Age of Empire
Martin Hardie
May 2009
'Whilst the onomania lasted, bickerings and divisions endured.'
Barthes is right in that he tells us that there is an onomastics of the Tour.
But in the time since Barthes, in a manner the semiotician may not have envisaged, that onomastics has descended from the heights of myth and epic having the status of Greek gods. They have descended from being these lofty signs of the valor of the ordeal, of beings signs of old European ways and ethnicity – Brankart le Franc, Bobet le Francien, Robic le Celte, Ruiz l’Ibere, Darrigade le Gascon; to being patronymics of the biopolitical, of homo sacer and the spectacle that sustains Empire.
Although Barthes' idea of an onomastics of the Tour still holds fast, sadly, in the time in which we live, Barthes' classic piece on the Tour de France as Epic no longer depicts the essence of events such as la Grande Boucle.
Cape Town Militant Mzonke Poni Goes to Trial on Tuesday 29 September 2009 on a Charge of 'Public Violence'
Mzonke Poni, Chairperson of Abahlali baseMjondolo of the Western Cape, is scheduled to stand trial on the charge of public violence on Tuesday 29 September 2009. The charge relates to a protest organised in opposition to state criminality against the Macassar Village Land Occupation. He has written this essay on 'public violence' in response to the charges levelled against him.
Class Wargames Communique 7
Comrades! Raise your glasses of champagne to mark Class Wargames' decisive victory on the cultural front: the launch of our film on Guy Debord's The Game of War. For the first time, the Situationist politics of this military simulation are carefully explained in sound and vision. After watching this movie, opponents of spectacular capitalism will understand the importance of studying The Game of War. By playfully competing against each other over its board, they are learning the strategic and tactical skills required for success in the deadly struggle against the global bourgeoisie. In our film of Debord's game, Class Wargames has divided these teachings from the battlefield into five sections: terrain, combat, cavalry, arsenals and lines of communication. Analyse their insights with great care, fellow workers. As the crisis of neo-liberalism intensifies, you will need this military knowledge to thwart the wicked schemes of bankers and bureaucrats. Remember well the lessons of socialist history: clever tactics and smart strategy are our most powerful weapons.
In the early-1970s, Debord created his film adaptation of The Society of the Spectacle by splicing together clips taken from other people's movies and then adding his own soundtrack. When social relations between individuals are mediated through images, this avant-garde technique of détournement acts as the proletarian antidote to capitalist monopolisation of historical memory. Quoting from the products of commercial cinema involves much more than recruiting glamourous movie stars and expensive special effects for audiovisual subversion. As Debord emphasised, these borrowed film excerpts are transformed in the editing process into a revolutionary critique of the spectacular misrepresentation of the human adventure. Torn out of its original context and carefully placed in a new juxtaposition, the cinematic propaganda of the class enemy can be turned against itself. The imagery of bourgeois ideology must be metamorphosed into the elucidation of Situationist theory. Expropriating the media expropriators is the premonition of cybernetic communism in the present.
Peter Linebaugh's New Introduction to the Works of Thomas Paine
“Where liberty is, there is my country,” declared Benjamin Franklin, to which Thomas Paine replied, “Where is not liberty, there is mine.” Tom Paine was a worker and commoner. He spoke and wrote from a particular experience, that of an English artisan at the onset of industrialization. He was, too, a planetary revolutionary—indeed, he helped give meaning to the term—and as such his writing is hugely significant for the twenty-first century. If we were to compare him to any contemporary figure, it would be Che Guevara. He asserted aspiration, possibility, the unheard of. He breathed the warmth of human agency to frigid hierarchies of power. The phrase “world revolutionary” might have several meanings—a sailor of the seven seas, a scientist of the universal mind, a philosophe in the republic of letters, a journeyman on the move. Rachel Corrie in Palestine, Ben Linder in Nicaragua, Brad Will in Oaxaca, those from the USA who step forth onto the world stage at places of maximum hope in the class struggle, express his spirit. As with Guevara or Jose Martí, he too struggled within the belly of the beast. He likened the British Empire to Jonah’s whale.
PRECARIOUS UNITED for CLIMATE ACTION
Fighting for Social and Climate Justice. Because Climate Change Make All Precarious.
The economic crisis has heavily hit the precariat – the sum of those working non-standard, temporary, part-time contracts in services and industry – worse than any other social class. Millions of precarious youth, women, immigrants are being made redundant by the Great Recession. Unemployment has skyrocketed from the US to the EU, from Iceland to Japan. Those responsible for the crisis – big banks, investment funds, free-market economists and policy-makers – whitewash and greenwash without shame as if nothing happened and go on with business as usual. Governments are giving trillions to the bankers and peanuts to the permatemps. Riots and protests are spreading as a result, also targeting a new wave of racism and xenophobia, but the pressure against political and economic power hasn't yet been enough, although an Autumn of Rage lies in store and this could change the equation.
Yet on the horizon of this historic capitalist crisis, an even larger crisis looms: global heating and climate change due to fossil-burning capital accumulation. Humankind is in danger, and by mid-century millions and millions could be wiped out from Earth if overdeveloped economies don't cut emissions, i.e. if we don't bring into line the major carbon emitters (oil, coal, energy conglomerates, manufacturing corporations and their logistics, the aviation industry, fast food and agribusiness, luxury tourism etc.). Copenhagen in December is an excellent opportunity to do so. On Dec 7-18, the UN Climate Summit – COP15 – will take place in the Danish capital, a city with strong radical traditions and a current history of rebellious agitation. All the state and economic elites from all the countries of the world will convene at Bella Center in Copenhagen to seek a successor to the Kyoto Treaty, including those powers like the US, China, India who hadn't signed it.
Surveillance Camera Players in Brazil
Contra Ordem E Progresso
surveillance camera players in Brazil
http://www.notbored.org/brazil.html
Between 12 and 14 September 2009, Bill from the Surveillance Camera Players (SCP) was in Rio de Janeiro, Brazil. Invited to participate in Performance Presente Futuro, vol II, Bill was originally scheduled to spend a total of five days and four nights in Rio. Due to extraordinary problems in obtaining a travel visa from the General Consulate of Brazil -- which required equally extraordinary solutions (including an unscheduled, last-minute 1,000-mile roundtrip drive to and from Washington, DC, between 9 and 10 September) -- Bill's stay was greatly shortened.
The Liberal “Anti-Capitalist” Climate Camp 2009
Resonance
The camp for climate action 2009 received lots of criticism, much of it is superficial and fails to get to the roots of the problematic relationship between anti-capitalism and environmentalism.
The camps media conscious strategy wasn’t very successful this year. With no direct action for the media to string out over a weeks reporting, the media resorted to criticising the middle class nature of the camp. This line of criticism was reproduced by several radical groups, including this report from the Cambridge anarchists . Sure, many of the activities highlighted at the camp such as compost toilets, morning yoga and the insistence on a militant vegan space may have seemed alien to many outside the fencing of Blackheath common, yet to critique the camp on these grounds is to use a weak, sociological understanding of class. It’s unlikely the camp would have been more radical if the yoga and soya milk was replaced with whippets and lager. A critique of the climate camp based upon sociological categories of class is not a progressive approach to take. Whilst a more diverse variety of activities may have broadened the appeal of the camp, it would not have improved the political content of it.
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