"Constituent Imagination:

Research + Resistance in the Global Justice Movement"

Over the past ten years the various tendrils of the global justice
movement have developed a multiplicity of new forms of social resistance.
From occupied factories and neighborhood assemblies in Argentina to
raucous UK street parties and Italian social centers, these new forms of
resistance and organizing have blurred, questioned, and broken down
notions of political action and organization. Far from the “end of
history” predicted in 1989, the circulation and spread of autonomous
struggles and politics worldwide has proclaimed loudly “we are
everywhere.” These forms of social protagonism are developing alternatives
to a neoliberal world in the organization of resistance, constructing new
possibilities through the constitutive power of lived imagination.

"Contesting Capitalism: Practices and Strategies"

University of Leicester, May 18, 2005


Collective for Alternative Organization Studies (CAOS)

University of Leicester Management Centre

Call for Papers

Following the success of CAOS inaugural workshop in June 2004, we are
organising a second event to coincide with Katherine Gibson (University of
Massachussetts) and Julie Graham’s (Australian National University) visit
to the University of Leicester Management Centre. We are inviting papers
from all disciplines within social sciences and humanities on the theme of
‘Contesting Capitalism’.

Opsound writes:

Opsound Copyleft Record Label Launch

New York City, Dec. 2, 2005

EVENT WEB LINK:
(http://www.opsound.org/opsound/events/catalpaparty .html )

THURSDAY DECEMBER 2 - CD RELEASE PARTY & OPSOUND LABEL LAUNCH AT CBGB LOUNGE, 8PM - MIDNIGHT, $5 COVER.

New York, November 18, 2004. Opsound ( http://opsound.org ) an online sound pool of copylefted music, launches its experimental record label with a release party for the electroacoustic band Catalpa Catalpa's debut album, Hardoncity.

Opsound writes

Thursday December 2 - CD Relase Party & opsound Label Launch At CBGB Lounge, 8PM - Midnight, $5.

New York, November 18, 2004. Opspund, an online sound pool of copylefted music, launches its experimental record label with a release party for the electroacoustic band Catalpa Catalpa's debut album, Hardoncity. The evening will feature live performances from Catalpa Catalpa, Ben Owen & Andy Graydon, Scavenger, and Weapons of Mass Destruction and will take place at the CBGB Lounge, 313 Bowery from 8pm to midnight on Thursday, December 2, 2004. There will be a cover charge of $5. The first 25 guests will receive free schwag bags.

"Going Public: Radical Resistance in Education"

March 5, 2005, Miami University, Oxford, Ohio


A Multi-Disciplinary Conference

Call for Presentations

The Department of Educational Leadership at Miami University is pleased to
announce the Fifth Annual Ohio Graduate Student and Faculty Conference on
Leadership, Culture, and Schooling. This conference is a multi-disciplinary
forum for graduate students to present their research and scholarship in the
leadership, culture, and schooling arena. Faculty collaboration and
participation in support of graduate student projects are encouraged. The
conference is scheduled to take place on Saturday, March 5, 2005 at the
Marcum Center located on the Oxford Campus of Miami University.

Comrade-Anonymous writes:

Video Demo of Diebold's GEMS Software


Download GEMSDEMO.AVI via bittorrent. It's a 15-minute video screen capture, with voice over, showing security holes in Diebold's vote counting software. The narrator is Jim March.

Melody Parker-Carter writes:

Soundlab Channel Seeks Contributions

Musee Divisinisteis currently preparing its 2nd edition to be launched on 8 February 2005.

SoundLabChannel is a joint-venture between [R][R][F]2004--->XP global networking project, New Media Fest and Le Musee divisioniste and is focussed on soundart and its various forms.

Praxis: Drama as Reflective Action for Social Transformation
Call for Contributions

Praxis has been defined as "the action and reflection of people upon their world in order to transform it" (Friere 1972) and "the act of reflectively constructing or reconstructing the social world" (Grundy 1987). Arendt (1958) described praxis as being reflective of a relationship between individuals and their wider community. What is fundamental to the concept of praxis is that it is the integration of reflection with action, or simply, it is action informed by theory, with a view to transformation of the larger social community. The nature of this interaction may be that theory transforms action, which may in turn reshape theory, and so on, in an holistic relationship. It is also essential to this concept that the individuals and/or community are empowered to decide on the changes best suited to their specific contexts, and are enabled to identify or develop the tools to effect such change.

HLanger writes:

Transdisciplinary Journal Of Emergence


The third Issue (Fall 04) of the Transdisciplinary Journal of Emergence (TJE) is available at TJE

The TJE is an academic international online journal by SDA Bocconi Business School, devoted to the study of subjectivity in contemporary society. Issue 3 includes the following contributions:

erika writes
SEATTLE PRINT ARTS

Call for Participation


Paper Politics (West)

A Show of Socially Engaged Printmaking
to be held in April 2005 at Phinney Neighborhood Community Center

6532 Phinney Avenue North

Seattle, WA 98103


Entry Deadline: January 15th, 2005

Notification of Acceptance: Early February 2005

Work Sent By: March 1st, 2005

Opening Reception: Friday, April 1st, 2005, 7-9 PM

Exhibit Dates: April 1st - 29th, 2005


In April 2005, Seattle Print Arts will hold a juried exhibit of socially engaged printmaking at Seattle's Phinney Neighborhood Community Center. The exhibit will showcase print art which uses themes of social justice and global equity to engage community members in political conversation. Because of its accessibility and reproducibility, print art has long been used by activists as a communication tool in struggles for freedom and social equality. The bold graphic qualities made possible by printmaking techniques are used to communicate with and educate broad audiences all over the world.