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"Southern Review: Communication, Politics & Culture" is an interdisciplinary journal produced out of RMIT University in Australia. Staff in the Communications & Writing program at Monash University's Gippsland campus produce one special issue each year. This year we invite you to address the broad topic of the politics of consent, along the following lines:
"Manufacturing Consent?"
How can consent be theorised today? What, for instance, are the contemporary means or conditions for manufacturing consent? What is the role of media rhetoric and practice in the formation of consent? What is the place of consent in advanced liberal democracies, or in other non-liberal geo-political contexts? What are the relations between consent and consensus in political or governmental processes? How essential is consent or consensus to the operations of contemporary politics and of global politics in particular? Can consent be gained on a supra-national level? Or must it be conceived, at every level, as unstable and ineffective, as no longer relevant to the study of democracy in its many forms?And what of past theories of consent and consensus, such as the one bound to a notion of “hegemony”? In what ways do contemporary events — “September 11”, “Iraq”, “Tampa”, “Madrid” — invite us to return to and to reconsider such theories and their place (or otherwise) within communication studies, as part (or not) of the history of the discipline?
Contributions are sought for a new volume on masculinities in popular music.
Placed at the intersection of the now well-established field of popular
musicology and the increasingly important area of masculinity studies, the
collection seeks to address how masculinities are constructed, represented and
problematised within popular music acts and genres.
Melody Carter-Parker writes ---> [R][R][F] 2004 --->XP [Remembering-Repressing-Forgetting] http://www.newmediafest.org/rrf2004 global networking project created and developed by Agricola de Cologne. The first suite of physical installations/presentations started on Friday, 5 March 2004 (running until 30 April 2004) at National Museum of Contemporary Art Bucaresti/Romania http://www.mnac.ro/next.htm, Bergen Center of Electronic Arts Bergen/Norway http://www.bek.no later -->20-28 March New Media Art Festival Bangkok/Thailand http://thailand.culturebase.org . [R][R][F] 2004 --->XP consists of an adimistrative and an artistic body. The administrative body contains all basic project information, the artistic body the "Memory Channels" of R][R][F] 2004 --->XP --->all details on http://www.newmediafest.org/rrf2004
The basic part of [R][R][F] 2004 --->XP is [R][R][F] version 2.0 including following curators and their selection of artists ---> Gita Hashemi (Iran/Canada), Raul Ferrera-Balanquet (Cuba/USA) Calin Man and Stefan Tiron (Romania), Eva Sjuve (Norway) Bjoern Norberg (Sweden), Raquel Partnoy (USA/Argentina) Agricola de Cologne & Melody Parker-Carter (both Germany) Featured is the ongoing curatorial environment, entitled "Women: Memory and Repression in Argentina". Please find all curators and selected artists on http://www.newmediafest.org/rrf2004/ .
Ronald B. McGuitre writes:
The great Puerto Rican activist, Richie Perez died
yesterday in Sloan Kettering hospital in New York City. My tears
tonight are not for Richie, but for the poor
Youngbloods who never knew him, who never heard his
wisdom, never saw his courage on the streets or felt
his compassion, or basked in his brilliance. The poor
Youngbloods who never invited Richie to enough CUNY
teach-ins to teach them their history and tell them
his vision. Richie Perez, a founder of the Young
Lords, organizer for the 1969 Open Admissions strike,
scourge of the drug lords, protector of the South
Bronx, enemy of every racist cop who ever profiled a
Black, Latino or Asian youth.
Richie Perez was the Che
Guevera of New York City rising up from the ghetto
streets with a boundless love for the Youngbloods,
who experienced the oppression of every disrespected
soul from Puerto Rico to Palestine like they was his
personal fam.
He was a revolutionary.
Richie Perez is dead.
But Richie Perez lived before he died and he lived
every moment as a revolutionary. He never punked out
of a fight or forgot a friend.
Richie was for real, he walked the whole walk and even
metastatic cancer couldn't quench his love of life or
his belief in the Youngbloods he leaves behind at
CUNY, in the prisons, in the 'hoods and on the island.
If I can only meet my end with one tenth the courage
and dignity of Richie, then count me a hero. Visitors
came away from his deathbed crying because Richie was
cheering them up, In his last days he was scheming
about organizing against the coup in Haiti and the war
in Iraq, and worrying about Bush getting re-elected
and networking people.
Folks will be paying last respects to Richie and
giving condolences to his family at the Campbell
Funeral Home at 1076 Madison Avenue at 81st street on
Monday March 29th from 2-5 PM and 7-9 PM. There will
also be viewing hours on Tuesday, March 30th. For more
information call the funeral home at 212-288-3570 or a
hotline set up by Richie's comrades at 347-245-0266.
Hasta La Victoria Siempre!
Que Viva Richie Perez!
2004 Socialist Scholars Conference Recordings Available Radio Free Maine, Roger Leisner and Joe Friendly recorded the following panels and speakers at the
2004 Socialist Scholars Conference in New York City, and offer them for sale. See below.
jim writes:
"Liberal Talk Radio Network to Launch March 31, 2004"
Air America Radio, a progressive talk radio network, announced today it will hit the airwaves on March 31st. "Air America Radio is launching in the top U.S. markets with leading talent that will provide compelling and entertaining programming on the radio, on satellite feeds, and on the web," said Mark Walsh, Chief Executive Officer of Air America Radio. "We aim to build an important new media franchise that delivers results."
Here is the new website URL for American post-situationist historian, theorist and activist Ken Knabb's Bureau of Public Secrets
Art for Change, with the collaboration of the Diversity Studies Initiative of the Graduate School of Arts and Science of New York University presents:
Dissecting Diversity: Art Takes Over the Discussion
April 3rd, 2004, 10:00 a.m. to 5:30 p.m.
The Jurow Lecture Hall, Silver Center,
100 Washington Square East,
New York University
Art for Change, with the collaboration of the Diversity Studies Initiative of the Graduate School of Arts and Science of New York University presents "Dissecting Diversity". This symposium is part of an ongoing Art for Change "Breaking Barriers" program that intends to create a space where community organizations, art organizations, artists and scholars can meet and forge new social practices that promote social justice and civic participation.
Bindlestiff Family Cirkus Seasonal Update The Bindlestiff Family Cirkus thanks everyone for their support and participation in the 2003/2004
Palace of Variety and Free Museum of Times Square season at chashama.
In the three month run Bindlestiff Family Cirkus presented over 50 acts on the variety stage and
played host to over 20 different productions ranging from circus to sideshow to theater.
High Heels & Red Noses, the Palace of Variety's featured BFC show, was featured in
the Village Voice, Time Out, Big Apple Parent, the New Yorker, and many more.
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