"The Weather Underground"

A Film by Sam Green and Bill Siegel

[Download it on Bit Torrent. See Fahrenheit 911 thread for more instructions.]

An Interview with Documentary Filmmaker, Sam Green
Alexander Laurence

"Hello, I'm going to read a declaration of a state of war... within the next 14 days we will attack a symbol or institution of American injustice." — Bernardine Dohrn

Thirty years ago a group of American radicals announced their intention to overthrow the U.S. government. In THE WEATHER UNDERGROUND, former members, including Bernardine Dohrn, Bill Ayers, Mark Rudd, David Gilbert and Brian Flanagan, speak publicly about the idealistic passion that drove them to "bring the war home." Outraged over racism and the Vietnam War, the Weather Underground bombed targets across the country that they considered emblematic. The group's carefully organized clandestine network managed to successfully evade one of the largest manhunts in FBI history.

Environment, Capitalism & Socialism

Democratic Socialist Perspective (DSP)


The Australian Democratic Socialist Perspective's major work on the environment, originally published by Resistance Books in 1999, is now available online here.The Table of Contents is available below.

NOT BORED! writes:

"The Deception of Strategy"

Bill Not Bored


"We want them [the Iraqis] to quit, not to fight, so that you have this simultaneous effect, rather like the nuclear weapons at Hiroshima, not taking days or weeks but minutes." -- Harlan Ullman, creator of the "Shock and Awe" tactic, January 2003.

"As we move toward a new Middle East, over the years and, I think, over the decades to come . . . we will make a lot of people very nervous. We want you [Egyptian President Hosni Mubarak and the leaders of Saudi Arabia] nervous. We want you to realize now, for the fourth time in a hundred years, this country and its allies are on the march and that we are on the side of those whom you -- the Mubaraks, the Saudi Royal family -- most fear: We're on the side of your own people." -- ex-CIA Director James Woolsey, 3 April 2003.

Today, 25 June 2004, just five days before the US military is scheduled to "hand over" political control of Iraq to a provisional governing body, it became official: the Bush Administration has lost the support of the American people for its "humanitarian" war against Saddam Hussein. A public opinion poll conducted by CNN-USA Today-Gallup has found that a majority (54 percent) of the 1,005 Americans who responded think that going to war in the first place (no matter what the justification) was a mistake; they are increasingly disappointed with the results, which are appalling and grow worse every day. They are also increasingly disillusioned with George W. Bush, whose disapproval ratings are higher than they have ever been.

Will Michael Moore's Facts Check Out?

Philip Shenon, 2912db05cb9917f">New York Times

Michael Moore is not coy about his hopes for "Fahrenheit
9/11," his blistering documentary attack on President Bush
and the war in Iraq. He wants it to be remembered as the
first big-audience, election-year film that helped unseat a
president.

Al Jazeera's "Control Room"

Ronda Hauben

The documentary "Control Room" [1] opened in NYC on Friday night May
21, 2004. The opening weekend shows were sold out, and the reviews in
the NY press encouraged people to see the film and to take it
seriously. On the surface, "Control Room" appears to be a film about
the Arab language media organization Al Jazeera and their coverage of
the US invasion of Iraq in March 2003. The actual focus of the film
is, however, considerably more profound.

"Move Over, Michael Moore!"

Sheelah Kolhatkar, NY Observer


Reviewing the film documentary "The Corporation"

In the soon-to-be-released documentary The Corporation, a commodities trader named Carlton Brown stares into the camera and describes his first reaction upon hearing that two airplanes had crashed into the World Trade Center on Sept. 11, 2001.

"How much is gold up?" he wondered. "My God, gold must be exploding!" He explains that he and his clients went on to mint money as gold futures shot up and the buildings came down.

Craven attempts to capitalize on tragedy aside, corporations and those who operate them are destined to behave amorally because, well, that’s what they do, according to The Corporation, a film that won the World Cinema Documentary Audience award at Sundance and opens in New York on June 30. The filmmakers’ reasoning is simple: Corporations by their very nature are psychopathic.


Full story here.

Anonymous Comrade writes:

"‘Marxing Read Ontologically?’
Jason Read’s Autonomist Post-Structuralism"
Senequetc.

[Reviewing Jason Read, The Micro-politics of Capital: Marx and the Prehistory of the Present (State University of New York Press, 2003), and retrospectively of Jean Baudrillard, Le Miroir de la Production: ou l’illusion critique du matérialisme historique (Editions Galilée 1975).]

A l’instar de la valeur d’échange et de la marchandise, selon Marx, les formes abstraites apparaissent à travers des choses, comme propriétés des choses, en un mot naturalité. La forme sociale et la forme mentale semblent données dans un « monde ». — Henri Lefebvre, La Vie Quotidienne Dans La Monde Moderne

Quite at the beginning of his writing life, Jean Baudrillard has observed that a certain type of Marxist can only see the world of capital as a multiplication of self-moving social forms. This type of Marxism (which used to be more widespread than it is today), by grace of its limitations, is caught in these forms, rather than hacking a theoretical path through the jungle, following the lead of actual struggles.

In order to grasp the ontology of capital’s forms, i.e. their social being, Marx himself argued we have to descend into what he called the ‘hidden abode’ of production, and into (as Italian feminists have added) the ‘arcane’ of reproduction of labour power. Descending willfully down all these rickety staircases and ladders, sweeping away the dust and cobwebs of years, we find ourselves knocking on a door strangely well-oiled, to encounter an old figure: the worker, left in a place that remains even after history has "ended" — the workplace.

Moore Turns Up Heat on White House

Charlotte Higgins, Agence France Presse

Michael Moore's "Fahrenheit 9/11" is without doubt the film the Cannes film
festival crowds all want to see. And with good reason, because Moore hopes
it will bring down the US Government.


The American film-maker has hitherto kept a tight lid on the contents of
the documentary, and said only that it includes evidence of links between
the Bush and bin Laden families.

"The Knee Jerk Review of Books"

Louis Proyect, Marxmail

In the winter of 1962-63, during a strike of the NY Times, Robert Silvers and a few close friends decided to launch the New York Review of Books, which is considered the premier intellectual print journal outside of academia.


When I first joined the SWP in 1967, I was a regular reader of the New York Review. Once when I was sitting at party headquarters thumbing through its pages, an old-timer named Harry Ring raised an eyebrow and said, "Oh, you're reading the social democratic press." Of course, I practically took the magazine out and burned it after hearing that. As I began shamefacedly apologizing for reading it, Harry reassured me that if he had the time, he'd read it too since it is important to keep track of the social democracy. These words were hardly reassuring. Did I have so much time on my hands because I was one of those half-digested petty-bourgeois elements that James P. Cannon railed against during the Shachtman-Burnham fight?

"Cannes Stands to Cheer Story of Che's Road to Revolution"

Hugh Davies, Telegraph

As the 20th century's most romanticised revolutionary,
Ernesto "Che" Guevara, dead since 1967, is being
immortalised in a rash of new films led by a British-backed
epic based on his writings. At two screenings in Cannes
yesterday, audiences reacted with standing ovations.