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A Review of "The Take"

Daniel Morduchowicz, ZNet

In the early 90’s, Argentina was largely regarded in the mainstream as
the poster child for neoliberal globalization. Time magazine announced,
in one of its covers, “Menem’s Miracle”, referring to the country’s
president at the time and his success in turning the economy around
after many decades of serious downturn. Moreover, he did so by adhering
strictly to the mandates of the IMF and the World Bank, privatizating
everything in sight and putting every state owned company up for a fire
sale.

Anonymous Comrade writes:

"Toward an American Revolutionary Praxis"

Geert Dhondt, The New Formulation


Reviewing: How the Irish Became
White


By Noel Ignatiev

New York: Routledge, 1995

Race Traitor

By Noel Ignatiev and John Garvey (editors)

New York: Routledge, 1996

 

The Lesson of The Hour: Wendell
Phillips

on Abolition and Strategy


By Noel Ignatiev (editor)

Chicago: Charles H. Kerr, 2001.

[O]f all struggles in which a popular
victory would fatally weaken U.S. Capitalism, the fight against White Supremacy
is the one with the greatest chance of success. — Noel Ignatiev(1)

One hundred years ago, W.E.B. Dubois wrote in The
Souls of Black Folk
that “The problem of the twentieth century is
the problem of the color line.” How has this analysis from one of this
nation’s greatest revolutionary intellectuals influenced American anarchism?
Not much, I guess. Alexander Berkman and Emma Goldman, for example, did not
write much on the “Negro Question,” nor did many of their contemporaries
in the heyday of the anarchist movement. While the Industrial Workers of the
World (IWW) were a welcome exception to this phenomenon, most of the revolutionary
proletariat did not pay much attention to the color line. The famous Eugene
V. Debs even stated that revolutionary politics was “white men’s
business.” In the late 19th century and early 20th century, much of the
revolutionary proletariat—in which the anarchist movement was based—was
from Europe or of European decent and their outlook and experiences reflected
these origins. The European immigrants brought with them anarchism and other
revolutionary traditions from Europe, but—of course—this here is
not Europe; the United States, while part of this global capitalist system,
has its own peculiar development, with its own fault lines and its own revolutionary
heritage, and U.S. anarchists are frequently much less familiar with it than
with the European revolutionary tradition. Anarchists in the United States tend
to know more about Russia’s Makhnovist movement or the details of the
Spanish Civil War than about—for example—the Abolitionist Movement,
the Reconstruction era, or the Civil Rights Movement. The New Abolitionists,
with their Journal Race Traitor, are a refreshing exception to this.
They are looking not to the European revolutionary legacy to imagine the possibility
of social revolution in this country, but instead look at America’s own
revolutionary tradition, to people such as the Abolitionists and the Wobblies,
to try figure out a strategy for revolution in the belly of the beast.

New Abolitionist politics have had an increasing
influence on the anarchists in the United States. The politics were present
in the now defunct Love and Rage Revolutionary Anarchist Federation,(2) they
have influenced the new revolutionary group that is forming around the Bring
the Ruckus Draft Proposal
(3) and they have had some influence in the Northeastern
Federation of Anarcho-Communists. This book review will look at three books
by New Abolitionist Noel Ignatiev.

"Witches of the 'First International'"

Steven Colatrella


Reviewing Caliban and the Witch:

Women, the Body and Primitive Accumulation


Silvia Federici [Autonomedia, Brooklyn, 2004]

During the 16th and 17th century, hundreds of thousands of women were burned as witches across Europe. This holocaust, unprecedented in the history of any society before or since, is at the center of this brilliant new book by Silvia Federici, an early opponent of the IMF's role in Third World countries and veteran feminist theorist. This book is the most important new work on the origins of capitalism to appear in thirty years, since Immanual Wallerstein's The Modern World System. For activists today, Caliban and the Witch is more relevant and useful to our anticapitalist struggles and movements. For the inspiration for the book came from the author's years in Nigeria where she witnessed and participated in struggles against IMF and World Bank structural adjustment and privatization of land and resources. The book is part and parcel of the anticapitalist globalization movement (or global justice movement) and links the struggles at the dawn of the capitalist era with those in Chiapas, in Bolivia, in the oil fields of southern Nigeria, in the forests of Indonesia, against privatization of communally owned land and wealth.

Chuck Morse writes: From: The New Formulation: An Anti-Authoritarian Review of Books - Volume Two, Number Two --- Winter Spring 2004

New Argentine Social Movements:

Logic and History



Review by Fernando López

Hipótesis 891. Más allá de los piquetes (Hypothesis 891: Beyond the Pickets)
By Colectivo Situaciones and MTD de Solano
Buenos Aires: De Mano en Mano, 2002

Genealogía de la revuelta. Argentina: la sociedad en movimiento
(Genealogy of the Revolt: Argentina,
Society in Movement)
By Raúl Zibechi
Montevideo-La Plata-Buenos Aires:
Nordan-Letra Libre, 2003

In the last decade Argentines
have been witnesses to and victims of the collapse of the system bequeathed
by the dictatorship of 1976-1983. This system was prolonged by Alfonsín’s
post-dictatorship “hostage democracy,” culminated in the
robbery during Menem’s rule of 1989-1999, and was continued by
De la Rúa. It established immunity for a small group that concentrated
the country’s scarce resources in a few hands while condemning
a third of the population to social exclusion. Faced with this brutality,
our society generated varied and novel forms of resistance, as revealed
in the social explosions that occurred in December 2001. They are called
new social movements because, among other things, the labor organizations
did not participate decisively and the social bases of these movements
were impossible to frame professionally. Likewise, political organizations
did not produce—and could not control—the new movements.

Chuck Morse writes:

"Breaking the Law: Anti-Authoritarian Visions of Crime and Justice"

Randall Amster, The New Formulation

Reviewing:


Restorative Justice: Healing the Foundations of
Our Everyday Lives


By Dennis Sullivan & Larry Tifft

Monsey, NY: Willow Tree Press, 2001

The Struggle to be Human:
Crime,

Criminology, and Anarchism


By Larry Tifft & Dennis Sullivan

Orkney, UK: Cienfuegos Press, 1980

By now it is obvious to almost
everyone that current “criminal justice” practices are at
best ineffective and at worst brutal. Critics on many fronts have attacked
the prison-industrial complex, with its “three-strikes”
laws and for-profit bureaucratic schemes. Even the mainstream media
have reported on the United States’ record rates of incarceration,
the privatization of the prison industry, corporate use of convict labor,
prison overcrowding, and the increasing application of the death penalty.
There is now broad outrage at this systematized insanity masking as
“law and order” and many have begun to search for alternative
methods of understanding concepts such as crime, punishment, and justice.
There is cause for hope in this, but also concern, given that so much
still needs to be done and that the current crisis continues to worsen
dramatically.

This review is from the current edition of the excellent "Green Pepper". The theme for this issue is "Life Beyond The Market".

"On the Inseparability of High Theory and Low Theory:
A
Critical Review of David Graeber´s Fragments of an
Anarchist Anthropology
"

Jason Adams

While it is somewhat surprising, it certainly is
fitting that a book series edited by Marsall Sahlins
should produce a book such as David Graeber's recent
offering, which attempts to lay the groundwork for
what he hopes will develop into an 'anarchist
anthropology'. Indeed, in the last three decades of
the twentieth century, it was the work of Sahlins and
other critical anthropologists such as Richard Lee and
Pierre Clastres that produced some of the most
outstanding changes within anarchist theory.

"Black Glove/White Glove: Revisiting Mexico's 1968"
Donald Nicholson-Smith


For all the inevitable talk of Olympiads past, we haven't heard much (in the U.S. media at any rate), about the 1968 Games in Mexico City, formally opened by President Gustavo Díaz Ordaz on 12 October of that seminal year in an atmosphere redolent, according to the New York Times, of "pageantry, brotherhood and peace." Just ten days earlier, Díaz Ordaz — for many reasons, but certainly out of determination that the Games should proceed unmolested by social protest — had unleashed the combined power of the Mexican military and police forces on a mass of unarmed student demonstrators and other civilians, shooting and bayoneting to death more than three hundred of them, then covering up the scale of the slaughter and attendant torture and disappearances. The International Olympic Committee, though one of its members had witnessed corpses being piled onto lorries for removal from the killing ground of the Plaza de las Tres Culturas, voted in an emergency meeting to carry on regardless. Politically speaking, the 1968 Games would be remembered in the world at large not for the myriad victims of Mexican state terror (as Octavio Paz called it), but for the black-gloved right fists, raised in a silent but eloquent call for black power, of the Americans Tommie Smith and John Carlos, the two-hundred-meter gold- and bronze-medal winners. The two were promptly ejected from the proceedings by the tidy-minded Olympic Committee.

Moore: Bush 'Didn't Tell the Truth'

Tuesday, August 03, 2004

BOSTON — This is a partial transcript from "The O'Reilly Factor," July 27, 2004 that has been edited [by fox, ed] for clarity.

It was a match-up the media and political observers have longed for. No, not George W. Bush against John Kerry. It's Michael Moore (search) against Bill O'Reilly.


Moore, the director who made "Fahrenheit 9/11" (search) and created one of the election season's biggest uproars, said he wouldn't go on "The O'Reilly Factor" until O'Reilly saw the entire movie. And he said any conversation would have to be aired without any editing and with the opportunity for Moore to ask O'Reilly questions.

FurtherBunny writes "George W. Bush is arguably the most influential and controversial performance artist in the history of Western art. Born as the son of George HW Bush senior, he learned early on how politics works. After studying at Yale and Harvard, he chose politics as his medium for art. In the 80s, like many other artists of the time, he was influenced by the French postmodern theorist Jean Baudrillard. He was particularly interested in the following passage in the book “Simulacra and Simulation”:

“Go and simulate a theft in a large department store: how do you convince the security guards that it is a simulated theft? There is no “objective” difference: the same gestures and the same signs exist as for a real theft; in fact the signs incline neither to one side nor the other. As far as the established order is concerned, they are always of the order of the real.”

This weekend Venezuela's recall finished in an overwhelming victory for Chavez. An extraordinary result given the incessant campaign by the US government against him including the failed coup of April 2002. This film, "The Revolution Will Not be Televised" is an epic account of the days of the coup with extraordinary fly on the wall footage. Irrespective of one;'s attitude towards the bolivarian regime, this film must be seen. And best of all, it's now available.... you guessed it... on suprnova.org. The torrent file is here. Directions on using the software can be found in the Fahrenheit 911 thread. I include an interview with the film-makers from z-net."


The Revolution Will Not Be Televised

An Interview With Documentary Filmmakers Kim Bartley and Donnacha O’Briain

Brian Forrest

In 2001, Kim Bartley and Donnacha O’Briain traveled to Venezuela to videotape a behind-the-scenes profile of President Hugo Chavez, the democratically elected leftist president who had been swept into office by a groundswell of support from the poor sections of Venezuela’s cities and countryside. While filming in April of 2002, they found themselves in the midst of a coup attempt against Chavez, and their cameras were there to capture those incredible moments of April 2002. They compiled this footage to create the documentary “The Revolution will not be Televised.” Bartley and O’Briain were interviewed by Brian Forrest in October of 2003.